SECTION III

Fundamental Rehearsal Techniques and Procedures

 

 

 

 

 

Script

 

1.       Keep your script with you all day and night during the rehearsal period.

 

2.       Put your name in your script in pencil.  Unless told otherwise, this script does not belong to you (unless you buy the script).  Do not use ink to mark it.  Write in pencil and erase all markings when you turn it in at the end of the production period.

 

3.       All blocking and stage business should be marked in your script as it is given to you.  Remember, write down all blocking and business in pencil.  Again, unless told otherwise, this script does not belong to you.  Do not use ink to mark it.  You will have to return this script at the end of the production as clean as you got it at the beginning of the production.

 

4.       Always rehearse with a pencil.

 

5.       Take thorough notes on anything told to you by the director, assistant director, or stage manager concerning your performance.  If you have questions about your character and his/her motivations, consult your notes BEFORE you approach the director.

 

Learning Lines

 

1.       Lines and blocking should be memorized by the date specified on the rehearsal schedule.  You are graded on this.

 

2.       When you drop a line on stage, simply hold your character position and characterization and say, "Line!" in character.  The stage manager should not feed you your line until you indicate that you need help remembering the line.

 

3.       Being "off book" means that you have memorized your lines and can proceed through a scene without the help of the script.  After you are off book, be sure you have read through your part and have someone cue you through your role at least once a day.

 

4.       ALWAYS bring your script to rehearsal…even after you have learned your lines.

 

Attendance

 

1.       Personal appointments should be scheduled after rehearsal.  Work is not an excuse for missing a rehearsal without prior permission.  Rehearsals, crew calls, and tech rehearsals are NEVER to be missed without prior permission.  Failing to comply with this procedure will result in disciplinary action and probable dismissal from the production.

 

2.       If an emergency arises, call the stage manager as soon as possible.  If you cannot reach the stage manager, contact the director or assistant director.  If you cannot reach any of these people, you may leave a message on the drama answering machine (949-586-0289).  Do not send an email as email will probably not be checked until after the rehearsal is over.

 

3.       The following people are the ONLY people that may excuse you from a call:  the director, the assistant director, the vocal coach, the choreographer, the technical director, and/or the stage manager.

 

4.       If you are excused from a call for any reason, go directly to the stage manager.  Do not leave the premises without contacting the stage manager directly.

 

 

Punctuality

 

1.       All rehearsals and crew calls begin exactly on the time indicated on the callboard.

 

2.       A call of "places" means that all performers and crew involved in a particular scene must be ready to perform.  They should be "in their places."  

 

3.       It is best to arrive at the rehearsal hall AT LEAST ten minutes prior to a call.  It is mandatory that you are ready to work on time.

 

On Call For Performances

 

1.       Be at the theatre promptly at the designated time or you will be considered "absent" from the call.

 

2.       There will be a sign-in sheet on the callboard.  You must sign yourself in.  No one should sign in for you and you should not sign in for someone else.

 

Relationship to the Director

 

1.       Unless you are in a scene being worked on and have a pertinent question, never approach or speak to the director while she is working with, listening to, or watching a scene in progress.

 

2.       Never walk between the director and the playing area.  NEVER.

 

3.       Do not offer directorial suggestions during the rehearsal time.  If you have an idea and would like to share that idea with the director, write it down and approach the director with your idea AFTER the rehearsal.

 

Relationship to Other Company Members

 

1.       Do not offer a suggestion, chastise, argue with, or prompt another actor under any circumstance.

 

2.       Never speak to or approach another actor who is waiting for an entrance.

 

3.       Do not talk backstage during rehearsal and/or performance unless it is mandatory and concerns the integrity of the production.

 

4.       Be ready for your entrance.  This is your responsibility during rehearsals and performances.

 

5.       Any suspected drinking of alcoholic beverages or using of illegal substances of any kind on or off campus before a rehearsal or a performance will result in disciplinary action.  The company member will be dismissed from the production and the school will take disciplinary action.

 

6.       No smoking at anytime.  No exceptions.  Disciplinary action will be taken.

 

7.       After rehearsal, clean up everything on the stage and in the drama/green room…even if it is not your mess.

 

Relationship with the Crew and Equipment

 

1.       During a scene shift, an actor should completely clear off the stage space unless he is involved in the change or about to make an immediate entrance.

 

2.       At the same time, the crew must not distract the actors.

 

3.       Never touch a piece of lighting, sound, or stage equipment unless assigned to do so.

 

4.       Restricted areas include:  the light booth, the sound booth, the director's table, the director's office, costume and prop closets, the drama council office, and the stage manager's area.  At no time are you allowed to enter these areas without permission.

 

Guests in the Theater

 

1.       Only people called on the callboard or invited by the director will be allowed to attend rehearsals.

 

2.       No unauthorized people are permitted backstage.  Authorized people are those that are members of a particular production in progress that evening or those that have obtained permission by the director.

 

3.       No company member is allowed to receive guests at the theatre except after a rehearsal or performance has ended.

 

4.       Performers must be out of costume before they receive guests.

 

5.       Guests may not be in the drama/green room before, during, or after a performance.

 

 

Rehearsal Costumes

1.       If a rehearsal costume is issued to you or you are asked to provide it, you will be expected to wear it every time you are called for rehearsal until it is replaced by your performance costume.  No exceptions.  You may be able to leave your rehearsal costume at the theatre.  Rehearsal costume can be hung up on the costume rack.

 

2.       Wear appropriate clothing and shoes to rehearsal.  Your clothing should not restrict your movement.

 

3.       Wear shoes and clothing to rehearsal that will be similar to that which you will be wearing in the performance.

 

4.       Your arrival time should include time to put on your rehearsal / performance costume.  If you need time to put a costume on, you should arrive early so that you may start rehearsal on time.

 

 

Rehearsal Props

 

1.       The actor should be aware, at all times, when her/his hand is occupied with props.

 

2.       Add your own rehearsal props as soon as you are off book and your hands are free to use the props.  Use these props every rehearsal until performance props are provided.

 

3.       If you cannot find a rehearsal prop, substitute one of your own devising rather than going onstage during rehearsal without one.

 

4.       Treat rehearsal props with as much care as you would performance props.

 

5.       Always keep rehearsal props on the prop table or in the prop closet when not in use.

 

6.       NEVER TOUCH A WEAPON unless assigned to do so.

 

Performance Props

 

1.       Never touch a prop unless you are the character assigned to use that prop.

 

2.       Always return your props to their assigned spot in the on-stage prop closet as soon as you leave the acting area.

 

3.       Never sit on stage furniture back stage.  NEVER!

 

4.       Report broken props to the assistant stage manager and/or prop master immediately.  If you don't tell someone, it won't get fixed.

 

5.       NEVER TOUCH A WEAPON unless assigned to do so.

 

 

Costume Calls

 

1.       A call for a costume fitting is as important and urgent as a rehearsal call.  DO NOT MISS COSTUME FITTINGS.

 

2.       Unless your measurements are taken and fittings are held on schedule, your costume cannot be made and/or ordered.

 

3.       Use the fitting to help you determine what sorts of rehearsal costumes you may need to help you simulate your performance costume.  The costume designer may have something you may use until your performance costume is ready.

 

4.       Discuss with the fitter costume items that you may need to work with…swords, pockets, purses, handkerchiefs, etc.

 

Handling a Costume

 

These rules exist because we care about how you look on stage and because we care about what happens to the costumes. 

 

1.       Costumes have no life except the life the actor gives them.

 

2.       Find out how your costume relates to your performance.

 

3.       Costumes are not the actor's play things.  Onstage, they are only to be used as your CHARACTER would use them.  Off-stage, however, they are to be handled with extreme care.

 

4.       Skirts and capes are to be held so that they do not touch the floor and are hoisted in the rear so that they are not sat upon..  Trains are carried until the very moment before an entrance. 

 

General Costume Reminders

 

1.       Your "look" is an important part of your costume and is not to be altered with prior permission.  Performers may not alter their personal, everyday "look" without the prior permission from the director or costume designer.  Altering includes, but is not limited to:  piercing or tattooing any part of their body and (depending on your look at the time when you were cast), as well as the shaving, growing, or dyeing your head and/or facial hair.   

 

2.       Please take a shower before getting into costume.

 

3.       Please use soap, deoderant, and antipersprant.

 

4.       Do not wear perfume or scented hairspray while in your costume.  (Some people are allergic to these substances!)

 

5.       Give valuables to the stage manager, or preferably, leave them at home.  Do not leave valuables in the dressing areas.

 

6.       Have make-up on before putting your costume on.

 

7.       If your costume goes on over your head, ask someone on the costume crew to help you by putting a cloth over your head to protect your make-up and costume.

 

8.       Men, unless you are required to grow a beard for the production, be sure you shave before reporting for your make-up call.

 

9.       NEVER restyle wigs and/or hair pieces unless trained to do so.  This should be done by the costume crew.

 

10.   When you are wearing your costume, do not eat or drink anything.

 

11.   Be careful where you sit; be careful what you lean on.

 

12.   Before entering the acting area, check yourself for any item that your character would not be wearing  (i.e. watches, jewelery,  wallets, etc.).

 

13.   Please do not touch anyone's costume.  This will assist in preventing confusion and loss.

 

14.   Obtain your costume only from the crew member in charge of checking out costumes. 

 

15.   Remove your make-up AFTER you have removed your costume.      

 

16.   You must check your costume in EVERY NIGHT.  You will not be dismissed until you have checked out with the crew member in charge of checking out costumes.

 

17.   You may only receive guests once you have removed your costume.

 

18.   Please return costumes neatly hung on hangers by your name tag.  Be sure to include all items that may be in use as part of your costume.  Costumes left on the floor will result in fines and detentions for the person who left the costume.

 

19.   Please wait while items are checked in by the costume crew.

 

20.   If your costume needs repair or adjustment, tell the stage manager and costume master AND write you needs on the costume repair sheet.

 

 

Handbook Contract  *  Rules of the Theatre

Section I  *  Section II  *  Section III  *  Section IV  *  Section V

 

 

 

 

 

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